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Low Country Visit/Charleston
4-5 May 2025

Charleston view: gorgeous side gardens viewed through the fence wrought by Peter Simmons, enslaved blacksmith who taught his more famous successor, Philip Simmons, his masterful art Gosh, the Uber driver who returned me to the Charleston Airport last Friday, born in Dubai to Pakistani parents, is a well-educated former business analyst and a naturalized citizen who believes that America is the land of opportunity. Despite losing his desk job and subsequently maintaining a brutal driving schedule five days a week to meet his self-imposed daily income goals, Gosh believes in his adopted country, and in making the best of whatever setbacks the universe hands him: he’s determined to establish a nationwide distribution business and one day give a TED talk on the success he’s made for himself and his family in the U.S. He showed me pictures of his two dogs, precursors to the children he hopes soon to have with his wife, an IT specialist who likes Shakespeare. At his request as we neared the airport, I shared my brief story of work, love, loss, and my own relationship with the universe, and gave him my card touting my Will to Live book, which he promised to share with his wife. We agreed on the old-fashioned efficacy of business cards, wished each other well, and parted.
My flights back home were eventful only in recalling the many times I’ve left loved ones behind, prompting some tears; crying on planes, I have heard, is not uncommon. Each painful parting recalls others past as one slips the surly bonds of earth. I had Magda Szabό’s The Door for company, a novel about the distance that separates even those who love ferociously, contributing, as did Gosh, to the philosophical speculation that comes unbidden in the liminal space of an airplane cabin at 30,000 feet. I returned to Madbury in the dark in the rain, grateful to be home after so rich and evocative a visit to Charleston, South Carolina and barrier island Folly Beach with my brother-in-law and nephew, our third reunion in the almost 15 months since my sister’s passing. At home, the daffodils are blown, the lilac and azaleas in bud. My takeaway from our low country encounter: an accurate retelling of history is alive and well among the guides who led us around Charleston, the Magnolia Plantation, and Ft. Sumter. Charleston’s gracious beauty and charm was never allowed to obscure the fact of its dependence on enslaved people. No “war of Northern aggression” whitewashing of facts, no arguing that the Civil War was about states rights. The war between the states was about slavery, the country’s original sin for which we continue to pay a terrible price. Hearing that truth honestly told, together with a break from the 24/7 reporting of the Felon-in-Chief’s latest atrocities and a much-anticipated family reunion, was a tonic comfort and joy.
On arrival at the Hampton Inn last Sunday afternoon, the excellence of the hotel’s location at the intersection of Meeting and John Streets was immediately apparent: once a burlap warehouse, this Hilton property is directly across from the Charleston Visitor Center (formerly a train station) on John Street and the Manigault House on Meeting.

Manigault House’s public façade, Gabriel Manigault, architect (1803) Built in 1803 by enslaved laborers using primarily local materials, Joseph Manigault’s house is a remarkable example of the severe Federal architecture that inspired David’s and my Gnawwood. From its imposing symmetry, blind windows, and Adamesque detail to its high ceilings, light-filled rooms, two-story piazzas, and curving central staircase, the Manigault House is a beauty spared from demolition in the 1920’s and, acquired by the Charleston Museum in 1933, signified the beginning of the preservation movement in Charleston.

Manigault’s lyrical staircase: every 4th baluster made of iron for stability 
Dining room with unique fork urn 
Detail in the style of neoclassical architect Robert Adam, 1728-1792 A National Historic Landmark since 1973, Manigault House’s graceful west façade is visible from the Hampton Inn pool, a boon for this tourist on a warm day. Maintaining its original iteration, however, was far more demanding; the House lacked both running water and indoor toilets. Our excellent guide let us know it took 27 enslaved servants to keep the Manigault family in comfort. A descendant of French Huguenots who settled in Charleston around 1685 and later amassed great wealth as merchants and rice planters during the 18th century, Joseph Manigault inherited several plantations from his forebears, which produced rice and other crops through the extensive use of enslaved labor. The canopy bed in the master bedroom testifies to the importance of that prized Carolina Gold rice, a variety of African rice that by 1750 made Charleston the hub of Atlantic trade (in goods and slaves) for the southern colonies, and the largest, wealthiest city south of Philadelphia.

Carolina Gold Rice celebrated on a bed post 
Manigault House garden façade 
. . . and Gate House juxtaposed with 1950’s architecture We had begun our acquaintance with Charleston on Sunday afternoon at the Visitor Center, booking a walking tour for the next morning, surveying the neighborhood, and enjoying a low country dinner at Virginia’s on King (my mother Virginia would have enjoyed the crab cakes as much as I did).

Sweetgrass baskets at the Visitors Center 
St. Matthew’s Lutheran Church 
Citadel Square Baptist Church on Marion Square Monday morning, we walked the mile down Meeting Street to the spacious historic Mills House Hotel, designed by architect John E. Earle and opened in 1852, to meet our Bulldog tour guide, Fran Bennett, witty and encyclopedically knowledgeable Charlestonian whose family dates back to the 1680’s. She led our small group on a most informative and entertaining two-hour tour, from Washington Square south of Broad to the High Battery on the Cooper River, winding through the charming streets of Charleston’s southeast peninsula and finally back to the Mills House.

Tour guide Fran Bennett (photo by Richard Lupi) Ms. Bennett, clad in a batik dress of her daughter’s design, illuminated all manner of Charlestoniana with fun facts: Spanish moss is an epiphyte, neither Spanish nor moss; artifacts preserved by rat urine in their nests help date historic houses; “Charleston green” paint is cheap and abundant black paint slightly tinted with the addition of yellow paint; and the difference between a graveyard (burial ground next to a church) and a cemetery (not associated with a church). At the Four Corners of Law, representatives of ecclesiastical (St. Michael’s Anglican Church), federal (the U.S. Post Office and Courthouse), county (Charleston County Courthouse), and city (City Hall) law meet impressively at the intersection of Meeting and Broad Streets.

The Post Office and Courthouse (1896, John Henry Deveraux, architect) seen from the columns at St. Michael’s Anglican Church, the oldest surviving church in Charleston, built 1751-1761 Charleston is known as the Holy City because of its plethora of churches, but the feature most impressing me remains the single houses with their “piazzas,” covered sides porches that extend living space and offer cooling breezes, often overlooking pocket gardens shaded by live oaks.

Piazzas on the Manigault House . . . and all around town 



Charleston window boxes sport “thrillers, fillers, and spillers” 


A “hyphen” joins the main building (with its brick structure revealed under the stucco) to its dependency 
A shutter of Charleston green Post tour, we caught the free DASH (Downtown Area Shuttle) bus back to the Hampton Inn, had lunch at the Dueling Piano, and after touring the Manigault House, had a fine dinner of moules and halibut at the Rue de Jean next door. A good, full day.

Chandelier at the Manigault House 
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April 2025
3 May 2025

1836 Monument at the North Bridge battlefield, Concord MA (photo by NPS) April may not be the cruelest month, but this one certainly has been crowded with incident. My neighbor Leo turned 7 on the 5th, David Letterman 78 on the 12th; my dad George would have been 103 on the 22nd, also my parents’ 78th anniversary. And some would reckon the U.S. turned 250 on 19 April 2025:
By the rude bridge that arched the flood,
Their flag to April’s breeze unfurled,
Here once the embattled farmers stood
And fired the shot heard round the world.
(“Concord Hymn,” Ralph Waldo Emerson)
As the Felon-in-Chief attempts to censor art he considers unpatriotic and obliterate any history he personally deems unworthy of celebrating our 250th anniversary, George Clooney’s gotten a Best Performance Tony nomination for his role in the Broadway production of his earlier film, Good Night and Good Luck, celebrating the victory of Edward R. Murrow over Joseph McCarthy during the Red Scare of the early 1950’s.

Clooney as Murrow, now on Broadway As Trump seeks to muzzle NPR and PBS and fire (notably lacking any authority to do so) members of the Corporation for Public Broadcasting, I’m tallying the ways in which the present rhymes with history: a lying would-be tyrant once again tries to extort institutions dedicated to truth, justice, and the American way, his offenses uncannily echoing those of George III, against whose troops those embattled farmers fired the shot heard round the world.
Ah, well. Having now flipped the calendar to May—my earliest daffodils are fading and the first hummingbird has arrived to sip at the feeder—I’m marveling at all this past month contained, a balancing act likely more heavy on diversion and self-care than the constant protest and resistance called for by even the likes of David Brooks. Peter Sagal, comic host of NPR’s news quiz Wait Wait Don’t Tell Me seized his bully pulpit at Portsmouth’s Music Hall on 18 April to spend a moving and educational hour speaking of our extraordinary Constitution before taking some questions about the show’s funny business, proving once again the seriousness underpinning all comedy.

But there was much to spark joy in his talk and throughout the month: gatherings with precious friends and immersion in music and theatre reminding one of what the species at its best can do.

Easter at Sis and Ted’s, Newton MA 

Easter Lilies at Wentworth Nursery, Dover NH Amici Music performed music completely new to me at the handsome Federal-style New Castle Congregational Church on 12 April: Margaret Herlehy on oboe, Janet Polk on bassoon, and Daniel Weiser on piano introduced me to Lalliet, Clémence de Grandval, the delightful Paul Carr, and a Poulenc trio.

Margaret Herlehy and Janet Polk of Amici Music Also new on 19 April was the latest Portland Stage production written by John Cariani—so new, in fact, that the playwright on-the-spot changed the play’s title from that printed on the program: Not Quite Almost, or Almost Almost, Maine became The Darker the Night, the Brighter the Stars (good call, John). This charming four-hander with four young actors playing multiple roles and some gorgeous light design that included shooting stars and the Northern Lights was a boon in these dark days of the Republic. Then came world-class performances by the Handel and Haydn Society at St. John’s Episcopal Church in Portsmouth (Alexander Parris, 1807—the first brick church in New Hampshire): Purcell, Vivaldi, Bach, and Handel.
And finally, a return to Symphony Hall with friends David, Susan, and Vicky (and lots of appreciative Russians) to hear the uncannily gifted pianist Evgeny Kissin once again play an extraordinary concert: a Bach Partita, Chopin Nocturnes and Scherzo, Shostakovich’s Piano Sonata No. 2 and selected Preludes and Fugues and—as if that was insufficient, three substantial encores.

Symphony Hall, 29 April 2025, awaiting Evgeny Kissin And there were readings and discussions of Twelfth Night at both the Portsmouth Public Library and Portsmouth’s Carey Cottage (designed in 1887 by Alexander Wadsworth Longfellow for Arthur Astor Carey) to celebrate Shakespeare’s 461st birthday on 23 April.

Carey Cottage, Portsmouth NH 
Phyllis paints my daffs and forsythia en plein air And the Madbury Public Library Book Club had a lively discussion of Kaveh Akbar’s 2024 novel Martyr!, a novel built of multiple perspectives, a “choreography of etiquette” juxtaposing Iranian-ness and Midwestern-ness, thanatos and art, humor and profundity. A paean to art that finally acknowledges its limitations, Akbar’s first novel is a fascinating read that taught me a couple new terms: the Overton Window, the range of subjects and arguments politically acceptable to the mainstream audience at a particular time, and “sonder,” the realization that each random passerby is living a life as vivid and complex as your own.
I guess it’s the sonder that I’ve been most thinking about of late as I continue the humiliation management required of the aging. For example, I spent a panicky 15-or-so minutes yesterday looking for the discharge chute of my electric mower after using it, I feared, without the chute during the first mowing of the season (OMG! Did I leave it at that place in Pembroke last fall when I had it serviced for winter storage?), only to finally realize I couldn’t find it because it was on the mower all along. Happily, others of a certain age selflessly report similar absurdities: putting on mis-matched socks, donning t-shirts inside out, or pulling off slacks at night, and then pulling them on next morning, only to discover the previous day’s underwear around one’s ankles.
But age has its compensations, especially when sharing experience. My husband David was very good at making even the most routine exchange memorable, and, trying to emulate his talent, a few weeks back I noticed my Market Basket checkout clerk’s name tag, Sylvia, and greeted her with “Who is Sylvia? What is she?” Little did I expect her to know the lyric from Two Gentlemen of Verona, even less for her to respond by singing the next few lines set by Schubert! When I exclaimed a compliment, Sylvia replied that she was raised in England, had learned that song in school, and now at age 88 (88!) was herself amazed to find she remembered it still, having not thought of it for at least 75 years.
That’s a glimmer that keeps on glimmering: with thanks to Sylvia, Schubert, and Shakespeare, all united at the Lee Circle Market Basket.
Onward, to pastures new.

Resident Turkey Hen -
“Spring” Experience
31 March 2025

“Spring” in Madbury NH This liminal season, late March in New Hampshire, challenges body and spirit as the weather toggles back and forth between spring promise and winter redux. Waking this Saturday morning to sleet on the newly uncovered deck furniture left me out-of-sorts, uncertain of how to make best use of the day. Friday the deck had offered both bright sun and the aroma of mulch fresh-laid by the landscapers who at last completed their work begun last October while I was at the dentist’s; I had my new garden stairs to admire and the daffodils and daylilies just broken ground beside them to happily anticipate. But when the weekend chill arrived with no obvious responsibilities (no appointments to keep and no weeding to be accomplished in that sleet), I felt rather stymied in transition. I hadn’t so much lost my way (as poor Thomas Cromwell admits he has to his daughter Jenneke in PBS’s Wolf Hall, not long before he loses his head) as found myself unable to assign priority to all that needs doing.
Distractions abound these days. The NH House Representatives’ reports of majority Republican proposals at last week’s Durham Democrats meeting (proposed 0 funding of the State Library, the State Arts Commission, and the R1 University of New Hampshire) provoke outrage that finds no relief in Democratic disarray at local, state, and national levels. How to protest? How to resist?

400 Seats in the NH House of Representatives Chamber: 177 Democrats,
221 Republicans, 1 Independent, and 1 vacancy
The Kennedy Center: under new management Ever since I heard the Felon-in-Chief (aka Cheeto-in-Charge) proclaim himself head of the Kennedy Center, I’ve been throwing more support to the arts, and last Sunday returned to Boston Ballet for its “Winter Experience” program, spending a completely diverting and uplifting couple of hours in Boston’s Opera House.



Little Miss fascinated by the orchestra pit Boston Ballet is the only American company trusted to present Leonid Yakobson’s Vestris, the solo originally created for Mikhail Baryshnikov in 1969, now wonderfully performed by the first Black male ever to dance the role, Daniel R. Durrett (https://www.youtube.com/watch?v=BawLRbStXJo).

Daniel Durrett, Boston Ballet Soloist Such dedicated, sublime artistry DOES inspire (take THAT, anti-DEI policies!), but it doesn’t direct political action. I write to my Representatives, but they aren’t the ones who need persuading. How DO you persuade a nincompoop who argues we don’t need libraries because we have the Internet?
Like Chaucer’s Clerk of Oxenforde, gladly wolde I lerne, and gladly teche, but these days much of my “learning” comes from NPR, also under attack by the likes of Marjorie Taylor Greene and her DOGE Committee investigation of NPR and PBS. Did Greg Casar’s (D-Texas) witty rejoinders to stupid questions posed by the DOGE Committee have any impact? Sitting in front of a giant poster reading “Fire Elon, Save Elmo,” Casar asked “Has Miss Piggy ever been caught trying to funnel billions of dollars in government contracts to herself and to her companies? I’m told we’re here to talk about government efficiency, but Daniel Tiger has not blown $10 million of taxpayer money to play golf with his friends. But Donald Trump has.” Hilarious, yes. But effective, given the Committee’s dearth of wit? Probably not so much.
TikToker Todd’s lyrics sum up my distress:
We’re in the middle of a hostile government takeover
I wanna talk about it but I’ll be late for work.
And if you say, “Wait a minute. Who we have to stop this?
We had one but you didn’t want that lady in office.
Now that we’re a part of a Nigerian prince scam
Surprise surprise, it ends up being a white man.
Oh! I just wanna know what the hell do I do?
(Probably drink)
But! This American Life’s “Museum of Now” broadcast #857 (28 March 2025) Exhibit Three provided me some optimism about the checks and balances the judiciary can still provide. TAL’S reenactment of one dramatic court hearing on the Trump administration’s executive order 14183 and new policy banning transgender people from serving in the military shows what one clever Federal judge can accomplish with flawless reasoning, legal savoir faire, and a penchant for upholding the truth. Hurrah for Her Honor Judge Ana C. Reyes, who refused to countenance an order with no factual basis. Her intelligent, witty evisceration of the government’s lawyer Jason Lynch’s argument has renewed my faith in the judiciary. Well worth a listen/read: https://www.thisamericanlife.org/857/transcript .

This American Life‘s “Musuem of Now” I’ve also learned so much from the devastating Netflix series Adolescence that I think I’ll have to watch it again. Co-created and co-written by actor Stephen Graham, who plays the father of a 13-year-old accused of murdering a classmate, there’s not a false note or move in any of the four episodes: all the more astonishing as each of the hour-long episodes was filmed in a single continuous, unbroken shot. Shakespeare’s Touchstone, the licensed fool of As You Like It, says “The truest poetry is the most feigning,” and it’s the extraordinary measures taken to feign reality in this complex tale of family dynamics and the social pressures on today’s teens that make its truth so searing. Owen Cooper was cast in the role of Jamie Miller at the age of 13— with no previous experience. He and all the actors are a revelation. OMG, to be a teenager in 2025!

Owen Cooper being filmed in Netflix’s extraordinary series Adolescence However! Yesterday at the handsome Oyster River Middle School I heard a moving performance of madrigals, part songs, Vivaldi’s La Primavera, vocal duets from Heinrich Schütz’s Symphoniae Sacrae II, and J. S. Bach’s longest motet, Jesu Meine Freude, by Amare Cantare under music direction by Catherine Beller-McKenna. Those singers finally broke through my unsteady balance here on the threshold of spring.

Atrium at Durham’s Oyster River Middle School 
Amare Cantare, with director Catherine Beller-McKenna (bottom row left) I’ve begun slowly but steadily excavating the accretions of past lives in this house, weeding the collections just as I’ll finish weeding the flower beds once the sun returns. And today I bought supplies to craft the sign I’ll carry at the 5 April nationwide protest of current administrative overreach. My sign will read: “BILLIONAIRE$ ARE THE ONLY MINORITY DESTROYING AMERICA.” But thanks to Amare Cantare, I’ll be thinking of Johann Frank’s text set to Bach’s music in movement 5 of Jesu Meine Freude:
Trotz dem alten Drachen, Defy the old dragon,
Trotz des Todes Rachen, Defy the jaws of death,
Trotz der Furcht darzu! Defy the fear of it!
Tobe, Welt, und springe, Rage, world, and attack,
ich steh heir und singe I stand here and sing
in gar sichrer Ruh. in secure peace.
March may not be the cruelest month; April arrives. But Defy the Dragon?
Yes, we can!
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New Orleans Revisited
5-9 March 2025

Art Deco in City Park, NOLA, one of several WPA bridges My much-anticipated visit to dear friends in New Orleans got off to a rocky start a week ago when 15 minutes en route to the Manchester airport, I suddenly could not remember lifting my carry-on suitcase into the hatch of my GTI. A look in the review mirror confirmed it wasn’t there, and so I pulled a “uey” right there on 125 to reverse direction, speed home, and recover the case I’d carried into the garage and then left there. Because I’m habitually early (if I’m not early, I’m late), the extra half-hour’s drive still got me to the airport with time to spare, but this lapse cast some doubt on whether my double checklisted always-be-prepared self was still up to solo travel. Getting old, getting on.
My connecting flight in Baltimore was delayed, of course, worrying me about a further imposition on my NOLA hosts Trish and Mike; my scheduled already late 9 pm arrival was now going to be more like a 10.30 disruption. So, once in the rental car facility (at considerable remove from the new NOLA airport), the report from the Dollar associate that he had no car available for me despite my having reserved one weeks earlier further furrowed my brow. But! I have a seldon-used Uber app on my phone. More importantly, I was in New Orleans, where my baffled expression prompted immediate assistance from a young garage attendant as I searched for where the Uber pickup spot would be. This kind fellow walked me there, told me the address to give the driver, and with a smile, wished me a good night.
This occasioned a memory. Two days before I had defended my dissertation and left New Orleans back in the spring of 1984, I had gone downstairs to answer the postman’s bell, only to have him laugh as I opened my security-grilled door. When I asked him what was so funny, he said, “You the only white lady I seen so far today come to the door without a gun in her hand.” There had been a robbery/murder in my neighborhood the week before; apparently all my neighbors had taken up arms. But now, 41 years later, this stranger’s empathetic courtesy made me feel both welcome and safe as a somewhat baffled older woman alone at a late hour in a parking garage. His kind gesture proved the rule, not the exception, over the course of the next few days, a welcome break from taciturn yankee decorum. Good to be back in the Crescent City.
I’d not returned to New Orleans for 14 years, and so the next bright morning after breakfast, my hosts walked me along Bayou St. John to City Park and the New Orleans Museum of Art Sculpture Garden, now easily three times as large as the one I recalled.

Mike and Trish on Bayou St. John Built along the Esplanade Ridge, the Faubourg St. John largely escaped Katrina’s flooding, and remains one of New Orleans’s most historically significant neighborhoods; the navigable end of Bayou St. John was long a Native American trade route and portage trail connecting Lake Pontchartrain with the Mississippi River, where some French traders and trappers settled with the Native Americans by the end of the 17th century. In 1708, the community of Port Bayou Saint-Jean was established there, pre-dating the official founding of New Orleans in 1718, though it was not incorporated into the city boundaries until the early 19th century. Built on the Bayou in 1799, Pitot House was home to James Pitot (1761-1831), the first American mayor of the incorporated city (1804-1805), and one of the few West Indies-style houses left in Louisiana. New Orleans architecture is always a treat, and my friends’ neighborhood is full of gems.

Pitot House, 1799 Having left a 19o snow-packed New Hampshire days before arrival, I was charmed by both weather suitable for sunbathing and the greatly expanded Sydney and Walda Besthoff Sculpture Garden, where the first iris and the last tulips shared space with the art.

Beauty on the Bayou 
The first iris 
The last tulips 
Plantation House also of the French-West Indies style, erected c. 1784
on Bayou St. JohnWater is an integral part of the Sculpture Garden’s design, appropriate to its bayou proximity, and the water itself is wonderfully “sculpted.”

Mississippi Meanders, by Elyn Zimmerman (2019), laminated tempered glass bridge depicting the River’s multiple paths over time 
High water, low path in City Park: a reminder that some parts of NOLA
are 10 feet below sea level
Mike uses Katharina Fritsch’s 2017 painted bronze Schädel (Skull) to point out all the bones he broke in a bad tumble last year, now so luckily, happily mended 
Time Unfolding, by Thomas J. Price (2023), a 9-foot woman on her phone 
Viñales (Mayombe Mississippi) by Teresita Fernández (2019) 
. . . made of thousands of hand-crafted porcelain tesserae After our stroll and a sandwich, Trish turned her errand of picking up a purse mended (rather dearly, as it turns out) by a local cobbler into a driving tour through Mid-City (I recall when a missing “M” delightfully designated that section of town “Id-City), the Central Business District, and the Quarter, evoking all manner of NOLA memories along the way (like the time I brought David to Gallier Hall to pay our respects to local jazz legend Danny Barker, so splendidly there laid out) and prompting an enjoyable conversation about nostalgia’s complexities.
That night my hosts reunited me with my fellow Women Against Dissertation (WAD) friend Susan, Dean Emerita of the College of Liberal Arts at the University of New Orleans from which Trish has now also retired, and the hilarity inspired by Susan’s well-told tales of local grotesquerie (think Eudora Welty or Flannery O’Connor) made our grilled pompano and Pouilly-Fuissé at the Café Degas all the more enjoyable—even if her stories did later provoke Mike’s nightmare of a one-legged man stealing his shoes. It’s transformative, laughing that hard among such dear, old friends. I went to bed very happy.
Next morning, after an excellent breakfast of croissants from Leo’s Bread across from the Church of I Am That I Am (Popeye affiliated?), I was ready for Friday’s next big adventure, however briefly perplexed by a perpetual conundrum: why, oh why does the University town of Durham, NH lack a bakery capable of croissants?

Part one of the adventure was a drive through Chalmette, Arabi, Violet, and Alluvial City (Alluvial City!) on the west bank of Bayou La Loutre in St. Bernard Parish, cruising in Mike’s truck past all the raised fish camps to the Hopedale Marina for a guided tour of some favorite fishing spots and lunch on the water courtesy of the Fish Tales food truck. (Chef Mike enjoyed tweaking Chef Patrick about the quality of cheese on the ham & cheese po’ boy.)


Hopedale Marina 
. . . with “Buffs” and fishing gear for sale inside I admired the selection of neck gaiters (aka “Buffs” after the manufacturer) among the marina provisions, and then we boarded for our bayou tour around sites indistinguishable to this novice but well-known to Cpt. Mike (Corner Grocery, Lena Lagoon, Delacroix Island).

Cpt. Mike at the helm 
Roseau cane and muskrat trap marker 
Lunch on deck 
The open Big Sky above the world’s largest contiguous stand of roseau cane (Phragmites australis) was a refreshing vista after the densely forested landscapes of New Hampshire, and speeding through the marsh, observing the ongoing dredging and fill projects designed to absorb ever-rising tides, was fascinating—especially when we counted 10 gators disturbed by our converting gas to noise.

The outing became even more of an adventure when we briefly ran aground, necessitating Mike’s assuming gondoliere status to pole us back into the channel because his trawling motor was in the shop: muscle, savoir faire, and rising tide to the rescue. The wonderful day finished at Café Minh with my very first Shrimp Pho and another night’s good rest abetted by all that fresh air.

Shrimp Pho at Café Minh Saturday was my day to try out my new Le Pas app, NOLA’s RTA innovation allowing me the all-day streetcar rides I had in mind. I boarded at the end of the Canal-City Park / Museum line on Carrolton, and after an initial fright about getting my pass to load, I struck up a conversation with a first-time NOLA visitor from NY (the Village) who asked my advice about what to see and do in the city, which led to my confessing I’d not lived in town since 1984 when I graduated from Tulane and began my career as a professor, from which I’d recently retired after 43 years. He asked what changes in my students I’d noticed over that time; my response: the average student was less prepared for college-level work, the attitude of students toward professors had in many cases shifted to a consumer/vendor relationship, and, of course, technology had changed everything. He then revealed that he had worked in A.I. from its early development, and thought most people were currently unaware of what he called “the 4th industrial revolution” now fast approaching, where only a very few tech overlords (my word, not his) would be required in the workforce; everyone else would be made—is currently being made—redundant. Our car had by then come to an unexpected stop on Canal just before Basin Street; the other New Yorker behind my companion explained that where we were, given ongoing construction, was now the end of the line. So we three parted, wishing each other a good day, and in my case at least, musing about what the future will bring.
I walked the several block to where I could catch the St. Charles line at Common Street, and crowded in with all the other tourists, many of whom got off at Washington, clearly headed for the Garden District.

What’s in a name? What was once Tivoli Circle became Lee Circle, but since 2022 absent the stature of Robert E. Lee atop the column, it’s Harmony Circle, with post-Mardi Gras portalets still in place I continued on to Tulane, spontaneously deciding to see what I could of the University I’d left so many years before. Gibson Hall was locked up on that Saturday, but I shot a picture of the window where I once stood, mid-Old English exam, sharpening my pencil and observing that my AMC Hornet parked outside on St. Charles was now flooded up to its door handle, perhaps signifying that both my graduate school career and my transportability were soon coming to an end. I was wrong: I passed that class with a B+ and Rene of the garage next door to my Pitt Street apartment got my car to run again. Another hurdle cleared. One never knows, do one?

Gibson Hall: LOTS of personal history here I strolled up to the Howard-Tilton Memorial Library where I’d spent so much of my last year in New Orleans, noting along the way lots of colorful Adirondack chairs scattered around the campus, and a bead tree sculpture, signs of frivolity absent during my grad school years.


Howard-Tilton Memorial Library, Tulane campus Of course the library, though open, was quite different, too: the big tables where I had once laid out my 3 x 5 note cards to organize my dissertation chapters have all been replaced by computer terminals and small desks.

No more big tables for sorting index cards When I inquired about where my actual dissertation was now stored (I thought I might slip a $20 between the pages, a reward to anyone dogged enough to pursue it physically, not digitally), I learned that Special Collections had now moved from the 5th floor of the library across the street to the locked-on-this-Saturday building where the Law School used to be. So, I went on to the greatly expanded University Center (where I once got food poisoning from a tuna sandwich that required my early exit from a 19th-century novel class) to eat the remainder of yesterday’s po’ boy and hunt for the University bookstore—which also turned out to be locked, and a Barnes & Noble.

Ou sont les “campus bookstores” d’antan? This made me nostalgic for the campus janitorial staff, the women who used to gather on the UC’s mezzanine level where the tv was to watch their lunchtime soap operas and talk back to their favorites. After a brief look at McAlister Auditorium, site of the commencement that my sister reported brought my dear old daddy to tears when Prof. Morillo hooded me, I made my way back through Newcomb Place to St. Charles, where I caught the car that rounded the Riverbend and finally dropped me at Carrolton and Claiborne, the end of the line.

Who knew that Batman lived on Newcomb Place? 

A man with a bull horn stood on the neutral ground there testifying to all of us waiting for the conductor to finish her break and take us back downtown. The message was familiar: Jesus is coming, change is coming, everything will be different, it’s time to prepare. There was one innovation in his testament, however: “It’s all digital!” He for sure got THAT right.
I boarded and then got off again at St. Charles and Duffosat, my stop of yore, to see if my apartment still stood. It did, though Rene’s garage next door was now a fitness center; that seemed an appropriate sign of the times. I took a picture and, by now getting pretty tired, crossed back to Bordeaux to re-board.

My one-time home: 4828 Pitt Street, one block off St. Charles There I waited quite a while, first with a young mom and kid who eventually just set off again on foot, and then with two others until a third would-be rider, a very skinny fellow with very few teeth, came hobbling up, assisted by a four-footed cane, and carrying a plastic bag, a handful of Mardi Gras beads, a couple of books, and some printed-out pages. This little man returned by greeting and, after offering me some beads, began a very well-informed conversation about Dolly Parton. The pages, he said, were all about her, a woman he really admired, and he cited statistics about her age, how much money she gave away, how many people visited Dollywood each year: a proper fan, he. He told me, too, that there would be more parades the next day, Sunday. I thought him deluded since Mardi Gras had passed, but later learned he was right that some trucks would roll on the morrow.
When the streetcar finally arrived, the other two passengers boarded first; I deferred to my chatty companion, and waited behind him as he struggled to manage his cane, his burdens, and his beltless pants. When he stepped up, he was greeting by the conductor, who handed him the pass which he’d apparently left behind on an earlier ride. That additional item to manage proved too much, however; he dropped both his cane and his pants, which fell to his knees revealing a white diaper just in front of my face. Nonplussed about how to help, and reluctant to offer a boost to that diapered bottom, I hesitated. But my embarrassment on his behalf was short lived; the conductor immediately left his seat, got down off the car, and helped the man up with his pants and onto the car, settling him before asking him how far he was going this time. The man replied, “Just to the next stop.” There he did indeed disembark, once again forgetting his pass but leaving the rest of us rather relieved, and me in awe of the respectful courtesy of the conductor.
The further we rode, the more tourists got on, so I was happy to get off once we reached Canal and walk unimpeded back to Basin Street where my Museum-bound streetcar was parked.


Riders on the streetcar: chef on the phone on the way to work 
Mom and kid in Crocs 
Cute doggy 
Dudes, one with a great “do” The ride back to Bayou St. John was enhanced by more colorful characters, some locals and some tourists, one of whom, an Indian gentleman, I had to reassure when the car stopped at Canal and Carrolton and the conductor got off to manually change the trolley pole to draw power from the overhead wire. 1893 technology, that. Back on DeSoto, Trish and Mike took adorable Dora for a walk while I rested on their charming sweet olive-scented patio.

My new friend Dora Dinner that night—at my request: fried oysters with beurre noisette, chopped salad, and an abundance of crawfish.

Saturday night dinner awaits 
How to get frying oil for oysters to the exactly right temperature:
laser thermometer!What remained of my NOLA sojourn was a lovely Sunday family brunch of Trish’s perfectly textured chive biscuits, ham, eggs (at $12.27 / dozen!), pineapple, and berries; my small contribution was happily juicing the fragrant oranges with a very efficient motorized juicer.

Trish, pro baker and professor, makes biscuits 
Sunday brunch 
Family and friend at table 


Wonderful homes on the bayou After a final stroll on the bayou, Trish drove me back to the airport: very new, very nice, and loaded with amenities unique to NOLA: live jazz and local food purveyors, a great improvement over the ubiquitous McDonald’s and Cinnabons at airports elsewhere. Turns out there was a Brocato’s gelateria just opposite my gate, so I indulged in a valedictory stracciatella.



Gators to go at MSY The long flights home were unremarkable and (of course) late, but I had plenty to review and consider. Chief among the impressions: my realizing a distinct advantage of aging: a near half-century of friendships that sustained then and continue to sustain now.
Tuesday was Town Meeting Day here in little Madbury, New Hampshire (population ~2000; in 2024, 16 deaths, 13 births, and 6 marriages). As the Moderator called for votes and we waved our blue paper voter ballots in the air, I could only appreciate the time I’d spent in such good company in such a wonderfully different place.

Madbury Town Hall, 1862 A lot of the snow had melted in the few days I was away. Spring will be here soon.

Daffodils emerging -
Performance
4 March 2025

Winter in Portsmouth outside the Hearth Market Hard to process, the nauseating, preposterous attack on a genuine hero, Volodymyr Zelensky, perpetrated by the Felon-in-Chief and his Smarmy Vice Suckup last Friday in the Oval Office, where only days before the Unelected Muskrat’s spawn picked his nose and wiped the results on the Resolute desk, an apt summation of the current state of affairs in these Un-tied States.
The day before I had finally seized an impulse to unpack the six heavy boxes of Murphy family photo albums my thoughtful brother-in-law had sent me last July, which ever since had sat undisturbed behind our big library table. They contained 25 large and 5 small photo albums, all carefully labeled and dated, the life-long work of my mother Virginia, her documentation of what she so clearly saw as her sacred vocation: raising her two daughters. Virginia is in almost none of the photos; she was always taking the picture. I managed to get all the albums out of their heavy cardboard packing boxes and stack them so the dates of the photos they contain show on each cover, break down those cartons, and get them out to the street for recycling pick up the next day before I lost my nerve after opening just one album from 1955, dissolving, and then deferring further investigation until some future date.

The Murphy Family Albums, curated by my mom All my life, to the end of my mother’s life, now lies on the library table, testament to a world that no longer exists. I’m glad my veteran dad George and my mom, whose little brother Calvin died on the USS New Mexico when it was attacked by two kamikaze planes in May 1945, are not around to witness the deconstruction of everything fine for which so many of their generation sacrificed.

Why my garage door is sometimes frozen shut Winter lingers on here, and though the days lengthen, the warming alternates with polar blasts, so ice dams and glazed driveways are a hazard. I’m weary of the daily footwear decisions: which boots, which set of ice cleats to wear? Will the Stabilicers do, or must I have the full monty punk spikes and chains?

Point of Graves Burial Ground, Portsmouth NH 
Portsmouth, still a working port despite a lot of recent twee construction 
Portsmouth’s oldest house, the Jackson House (1664) on Christian Shore
(south facade)
North facade of the Jackson House, with roof built right down into the hillside for protection from the northern gales. Winter is hard in New England. When I’m not weepy over my mother’s devotion to her children, now with only me surviving, I’m trying to figure out how so many of my fellow citizens have been taken in by the imposters currently posing as servants of the people. I’ve recently learned a new term: “kayfabe. ” Possibly originating in U.S. carnival slang, kayfabe is the term used in professional wrestling to describe the illusion that the wrestling is authentic, a code word used by wrestlers and others in the industry to acknowledge that what the audience sees is a scripted performance. Anyone deluded into believing kayfabe real is a “mark”: the same term used by grifters running a con to describe a potential victim. Why can my fellow Americans not see through the kayfabe underway in the executive branch, and recognize that they are the marks of despicable narcissistic opportunists and sociopaths, interested only in further lining their own already bulging pockets? I note here that the Felon-in-Chief has just named former World Wrestling Entertainment CEO Linda McMahon as U.S. Secretary of Education. Why can’t folks see through this palpable device?
Perhaps my emotional vulnerability and grief at all I see slipping away made the performance of Swan Lake I saw Sunday at Boston’s magnificent Opera House all the more moving.


House right detail (originally known as the B.F. Keith Memorial Theatre, designed by Thomas White Lamb and opened on 29 October 1928) The story is fairy-tale tragic: the evil sorcerer, Von Rothbart, casts a spell on a young girl turning her into a swan, Odette, a spell that can only be broken when a young man pledges himself exclusively to Odette. The handsome prince Siegfried, seeing this beautiful Swan Queen in her nighttime human form, does just that, but on the next night at his coming-of-age ball, the evil Von Rothbart presents to Siegfried his daughter, Odile, transformed to appear as Odette, though now dressed in black. When the deceived Siegfried, believing this beauty to be his Odette, swears his devotion to Odile, his vow to Odette is broken, and Odette and all her transformed friends who inhabit the lake formed by the tears of her grief-stricken mother will be swans forever. In the fourth and final act, the Swan Queen Odette tells the swans they are captives to Von Rothbart’s spell for eternity. Siegfried appears and runs to her, and passionately describes how he, too, was deceived by the wicked Von Rothbart. Bound together by the power of their love, Siegfried and Odette defy and destroy the villainous sorcerer, but even in death, Rothbart’s spell is so powerful that Odette and the swans remain doomed. Odette returns to the lake, and the heartbroken prince follows her into the waves.
That fourth and final act begins with a real coup de théâtre: the curtain rises on the moonlit lake, its surface shrouded in a thick layer of mist, from which, cued by Tchaikovsky’s sumptuous score, the swans suddenly unfold their lovely, lithe selves to a very satisfyingly audible audience gasp. And later, when Siegfried lifts Odette high above his head, the power of her forgiveness and their love destroys the evil Von Rothbart. But still they perish.
It’s performance, that ballet, and it’s powerful. Just the thought of all those dancers, musicians, artists, designers, choreographers, and the brilliant composer devoting their lives to producing that collective experience for their audience moves me. I was especially privileged to have a friend, Elizabeth Olds, playing the Queen Mother, and she brought me backstage to see some of how the magic is made. The view of the house from the stage is extraordinary, and a thrill even for this civilian.

View from center stage 
Moms talk with prima ballerina Viktorina Kapitonova following her performance as Odette/Odile, while their daughters are captivated by the view from the stage Elizabeth, once principal dancer for the Royal Winnipeg Ballet and now assistant to Boston Ballet’s Artistic Director Mikko Nissinen, told me she’s danced every female role in Swan Lake, from court attendant to cygnet to Odette/Odile, performing her 32 fouettés in the Black Swan pas de deux. (Insider info: from her on-stage throne, Elizabeth counted prima ballerina Viktorina Kapitonova doing 33 in our performance. Mon Dieu!)

How that mist shrouding Swan Lake is stored 

Elizabeth Olds shows off one of her gorgeous costumes as Queen Mother, all built in-house Tonight the Felon-in-Chief (FIC) will address a joint session of Congress, where he will no doubt brag about the destruction he has wrought during his first 43 days in office, making every effort to deceive his audience with his performance. I’ll be thinking about the difference between Swan Lake and the FIC’s performance, the kayfabe designed to hoodwink and cheat his fellow citizens, we the marks, by playing to our worst instincts, and contrasting that with the artists performing for a purposeful assembly: we the people willing to suspend our disbelief long enough to be moved by the spectacle of the literally elevated Odette, soaring to the Tchaikovsky and lifted high by her devoted and forgiven Siegfried, the embodiment of love strong enough to slay the evil Von Rothbart.

Amor vincit Von Rothbart (Mikko Nissinen’s Swan Lake, photo by Rosalie O’Connor) Can love survive, even defeat the hate that spews from the current leaders who embrace enemies as allies and scorn allies as enemies? Here’s to all the artists who pose the question. Dear Readers, I hope we can answer yes.

Swan tutus await the next performance -
In transition
17 February 2025

Ars longa, vita brevis Stopping mid-ascent on the stairs yesterday, I spied through the northwest window a small hawk having Sunday brunch at the expense of a fellow feathered creature, whose scattered plumage scudded across snow sculpted smooth by the prevailing wind. Not until I dug out the front entrance and made my way to inspect the latest damage inflicted on my mailbox and bright blue newspaper receptacle, for the second consecutive day knocked off its support by passing plows, did this diminutive raptor take up the bulk of its prey in his talons and make for the woods.

Mailboxes take a hit in Madbury winters Once I got back inside, I recalled that it was from just that same spot on the staircase that on the morning of 1 June 2019 I had looked right rather than left and seen through the fanlight an Eastern phoebe perched on the flagpole that spans our front entrance, her beak filled with breakfast for the three hatchlings in the nest she’d built on the molding in the southwest corner above the front door. Just after 6 am on that so-green spring morning, the two representatives of the Cremation Society had driven away with the mortal remains of my darling husband David. And once again, though the transition is less stark and painful, I feel a bird sighting has marked a transition in my life. Today is the first anniversary of my sister Jane’s passing, and the 23rd birthday of our granddaughters Isabel and Olivia. And I am feeling my age.
From first light early this morning, the wind has gusted around Gnawwood with such ferocity that the change of air pressure rattles interior doors, sporadically interrupting electricity so that oven and microwave protest with random beeps. Winter’s been late arriving this year, but it’s definitely here now. The substantial snowfall is gorgeous and brilliant, but challenging. Twice now, the garage doors have frozen shut; getting out takes some substantial effort and time, and already I am weary of ever-changing footwear requirements. Snowshoeing remains a delight, but attention must be paid, as I learned last week when I stepped on a stick invisible under last week’s deep powder, which, wedged between the outer rim of my right snowshoe and the binding, tripped me so that I dropped the poles that immediately completely disappeared beneath the deep, slippery snow, leaving no trace of their whereabouts. I wasn’t hurt, and I DID finally recover the poles necessary to right myself. But still: a cautionary tale.

Trails well groomed, courtesy of UNH 
Girls having fun on the trails 
Nature’s winter installation For I am no longer young. My quads tire, and my right hand grows more arthritic. I’m still braving Boston traffic, but can be baffled by QR codes that don’t work to allow pedestrian entrance to parking garages whose doors only admit cars; in the confused exchange with a parking lot attendant over this situation, I managed to leave my car locked, but with the passenger window down. Happily, again, no harm done. But slippage.

New printer: the Brother MFC-J4335DW, Wirecutter’s pick My struggles to get a new printer to connect with my laptop lasted two weeks, entailing a collective 9.5 hours on the phone with Dell technicians (Anthony, Mohit, Rajendra, Chandon, Mohammed, and Kaveri), an appointment at Best Buy, and visits to both the Durham Public Library and Dimond Library at UNH, before help arrived in the person of Jason Wall from Lenharth Systems and sprung me from printer purgatory. (Jason’s take: some aberrant upgrade from Microsoft might well be the culprit). And while my Will to Live book talk last week at the handsome Portsmouth Public Library went very well, I’ve never before had such disconcerting, near-debilitating pre-performance anxiety, or needed so much time to recover.

Portsmouth Public Library Here on this President’s Day, the distance between the on-going coup orchestrated by our Felon-in-Chief (ceding all responsibility to a mad, unelected oligarch so that he has time to schmooze with the murderous Putin) and the selfless republican civic virtues of Washington and Lincoln staggers. The negotiated Medicare pharmaceutical prices that Biden put in place for 2026 have already been undone, presumably to further enhance Big Pharma’s profits, so my Eliquis prescription will continue to strain the budget. On the heels of the worst U.S. commercial crash in 16 years, the Felon-in-Chief has now begun firing FAA air traffic controllers. My financial advisor predicts economic trouble ahead: throwing thousands of Federal employees out of work will create even more unemployment for workers depending on Federal investment, and as tariffs raise prices, inflation will creep up. More locally, the new chair of the UNH English department, the only Americanist left on the faculty, reports that both of UNH’s Shakespeareans are retiring, and there’s even discussion of dropping freshman English as a requirement. The world’s in “a terrible state of chassis,” as Capt. Boyle opines in O’Casey’s Juno and the Paycock.
So. What to do. I feed the birds. Lots of bluebirds of late—a good sign? I Get Outside. I stream horrific crime dramas with flawed female British DCIs investigating the worst that humans can do (Marcella is my latest jam). I bake and I cook: most current winners, Junior’s Cheesecake and shrimp and grits, both recent recipes from the New York Times.

Junior’s cheesecake just emerged from its water bath I write. I read. I practice tai chi and yoga. I connect with Good Organizations: the Madbury Public Library, the National Archives, and the Seacoast Village Project. I plan a return to New Orleans to visit dear friends of these past 50 years.
And I take great pleasure in the talent so generously shared by the likes of pianist Conrad Tao and tap dancer Caleb Teicher, whose performance of “Counterpoint” at the Boston Arts Academy last 7 February completely obliterated the shame I’ve been feeling as a human being, replacing it with pure joy as I recognized the best of which our species is capable.

The Boston Arts Academy Bach, Schoenberg, Brahms, Ravel, Gershwin: Tao plays them all, from memory, always clearly, sometimes heartbreakingly lyrically, and spectacularly con brio, and Teicher matches him delight for delight. If you want a lift, Google Tao and Teicher Tiny Desk for a sampling of what these two prodigiously talented young men had to offer, or follow this link: https://www.youtube.com/watch?v=61q6JoGLTc0 .

Conrad Tao 
Caleb Teicher 
Caleb Teicher & Conrad Tao
“Counterpoint”, a collaboration between pianist and composer Conrad Tao and choreographer and dancer Caleb Teicher (Photo by Richard Termine)Well. There goes the power out. Back on. Now out. Gives new meaning to “only connect.” What’s to come is still unsure: we’re all in transition. Dear Readers, be careful out there.

“If winter comes, can spring be far behind?”
(The Boston Arts Academy is directly across from Fenway) -
Crowded with incident
3 February 2025

Iced spider web, a gift from the universe the morning after my heart surgery Here we are, nearing the end of the first quarter of the 21st century, and I am tallying the ups and downs of the past fortnight, beginning with the medical marvel that is the cardiac ablation I had at Mass General in Boston on 21 January: heart surgery as out-patient procedure. Is’t possible? Yes! Dr. Ng declared it a success, confirmed both by his partner cardiologist Dr. Touchan eight days later, and my lived experience. My generous friend Susan made a considerable contribution to my well-being as transporter and companion during her 12-hour shift, from a 6.30 am pickup and drive through rush-hour traffic south to Boston; to standing by during the long prep, procedure, and recovery period; to providing a most welcome additional set of ears attending to post-op instructions; to finally delivering me back home at 6.30 pm. The euphoria I felt on returning to Gnawwood was some rare combo of residual anesthesia, relief, gratitude, and much-improved heart function, but I felt better than I have in a very long time. After obediently refraining from any strenuous activity for the prescribed week of taking it easy, during which I enjoyed our monthly Madbury Library Book Club two days post-op and a most delicious and convivial dinner party in Dover two days later, I returned to my yoga class for two consecutive days, and felt great—so great that I’ve been able to take advantage of the gorgeous snowfall we’ve at last had with back-to-back snowshoeing expeditions through our woods. Sublime.

First REAL snowfall in Madbury, 1 Feb 2025 Challenges have, of course arisen, and one can so easily be knocked off balance by the small stuff. Monday the 27th began with some attention-getting not-so-small stuff: my first experience of a 3.8-scale earthquake that in Madbury at least sounded like two back-to-back explosions. I was up at my third-floor desk, but feared that the masons working outside on the beautiful new steps they’ve laid had suffered a propane tank explosion. But no, they were fine, though their report that they felt the ground shake and a call to the Madbury police station confirmed for me that the event was indeed an earthquake that sounded so loud: essentially an aggressive burp from below as the tectonic plates shifted ever so slightly. No harm done, but a tonic reminder that nothing is certain and that all circumstances are subject to change at any moment. My thought: how very lucky I am.

New garden stairs: Rye Beach Landscapers Steve and Josh who laid them remained unharmed by the earthquake of 27 Jan 2025 I’ve been mostly able to sustain that blithe mood despite a spate of Tech Schreck, the neologism I’ve coined for the inimitable challenges of ever-changing technology. First, the microwave my parents gave me in 1974 (!) at last gave up the ghost and had to be replaced. And I again had to fax (yes, FAX! Some technology is retro, presenting its own challenges) all 16 pages of evidence necessary to prove to TD Bank that there are scammers abroad in the land, claiming to be Amazon/KDP and Barnes & Noble and preying on novice self-publishers (moi) to bilk them out of $$$ in exchange for products and services they have no ability to provide and no intention of providing. And then, there’s the special torment of the printer purgatory HP visits on its unsuspecting customers: “customer service” that ain’t. Just try to cancel your Instant Ink subscription after multiple attempts to get SOMEONE or SOMETHING at HP to make available the driver necessary to make your ENVY 4520 that has suddenly stopped working print. Oy vey. Reader, do not risk commerce with Hewlett Packard.

Solar geometry: the deck on 1 Feb 2025 However! Each of these annoyances occasioned an uplifting human exchange sufficient to make me think we’ve not yet arrived at singularity, the merging of machine and human that seems ever more imminent. In the case of the microwave, Dan of Powell Electric, who a quarter century ago wired this house then under construction, came to confirm that my microwave problem was indeed my venerable but exhausted Toshiba, and kindly toted it away for disposal. Via Wirecutter, I then researched and located a replacement Panasonic, ordered it from Target, picked it up with help from a gracious Target employee, brought it home, and after only a few mis-steps (why don’t they inform you that the child-proof lock will not let you open the microwave door until you press STOP?) successfully installed it. The TD Bank associate I spoke to at length (44 minutes and 42 seconds) declared me one smart lady, essentially an investigative reporter, and encouraged me to take my tale of pernicious scammers to the Boston Globe’s Spotlight Team even as she typed up and submitted my charge dispute for the second time. And two successive Dell employees, Rajendra and Mohit, stayed on the phone with me for a collective 2.5+ hours trying to resolve, unsuccessfully, the printer connection problem that HP created. At one point I exclaimed that it had started to snow here in New Hampshire, which prompted Rajendra to reveal his location: “How Beautiful! I’m in Spain, and would have to drive five hours to see snow!” How wonderful, too, that nurse Shari at my cardiologist’s office told me she’d swapped patients with her colleague just so she could hear all the details of my ablation. And how very human that her telling me about trying ever since October to resolve a mistaken hotel double charge to her account made me feel so much better about my own ongoing dispute with TD Bank. At what point will an exchange with A.I. afford us such relief?

The world out the front door freshly dressed in white, 1 Feb 2025 Aging is, of course, a thing with which to reckon. The definition of aging as “accumulation of damage and decline of function” immediately sparks my mental listing of examples under both headings, but I’m trying not to go gentle. I’ve signed up to be a Citizen Archivist; see https://www.archives.gov/citizen-archivist for details of service that you who can still read cursive writing (we happy few!) can be to the National Archives. And this week I’ll receive the training necessary to become a driver for the Seacoast Village Project. These are functions I CAN still perform.

A beech tree in its winter marcescence. Jennifer said they contribute to “the Presbyterian light of the forest.” But the firehose of appalling breaking news remains a challenge. I’ve been finding it necessary to counterbalance reports of the disgraceful, disastrous doings perpetrated by our Felon-in-Chief and his Posse of Predators by streaming, repeatedly, episodes of All Creatures Great and Small. The fifth season finale features Anna Madeley as Mrs. Hall trying doughtily to carry on while wrestling with the likelihood that her son has been killed in action. Spoiler Alert: When she learns he is alive, it no longer matters that Siegfried forgot to pick up the Christmas goose she so cleverly saved up ration coupons to barter for it: a reminder of what’s really important, and a reminder I needed.

Samuel West (Siegfried Farnon), Anna Madeley (Mrs. Hall) and Derek
(Tricki Woo) in All Creatures Great and SmallEarly last Wednesday morning I was stewing about my non-functional printer when I spied my 6-year-old neighbor Leo making his way through the woods that separates my house from his, a child-size show shovel on his shoulder. He didn’t ring the doorbell (an antique he really enjoys ringing), but instead went straight about clearing the snow from my front steps, inscribed his name in the snow, and returned home to continue on to his one-hour-snow-delayed school day. When I texted his mom Anne to let her know of Leo’s good deed, she told me he did it with no prompting from her: it was entirely his idea.
Dear Readers, THAT’s what’s really important. Here’s to countering the darkness with the now ever-increasing light.
-
Reservoir of cheer, “American Primeval,” and a wide receiver
18 January 2025

Distant ice fishing and beaver work at the Madbury reservoir After a stretch of bitter cold and howling gales, today’s temperature broke 40o and no wind blew. A better night’s sleep than of late primed me for a most enjoyable stroll to and along the Madbury reservoir, tricked out with ice fishermen and rendering a spacious new world version of a winter scene by Bruegel. The eerie, eldritch sound of the expanding ice sheet, a mashup of whale song and sci-fi soundtrack, seemed a tribute to the late David Lynch, whose 1986 Blue Velvet cast such a spell over me that on first viewing I emerged from that Chapel Hill theatre afraid of the mall I was in. But on this Saturday, the singing ice was only part of a cheering soundscape that included chatter that stopped as soon as the loquacious squirrel dove into a hole drilled by a piliated woodpecker and peeked curiously back out at me, and the friendly greeting of a neighbor with her four charming stair-step children making their way back up from the ice.



All told, this morning was a most welcome respite from annoyances and preoccupations, some minor and others more daunting, leaving me a dyspeptic combo of at least two of the Seven Dwarfs: Sleepy and Grumpy. All those bothersome emails from credit bureaus and banks making it seem necessary to log on, negotiate the two-step verification, and locate the message center only to discover the message is just a come-on for another unnecessary service. Oy. And more oppressively, all that time and effort required to dispute fraudulent credit card charges from scammers! Caveat emptor, Dear Readers, especially online.
Such bothers of privilege do, however, recede in nature and in company. I’ve been enjoying the skilled efficiency of masons Steve and Josh of Rye Beach Landscaping who’ve been uncomplainingly working through the challenging cold to build a set of outdoor steps for me. What a joy to see people who know what they are doing create something both practical and beautiful!


Josh cuts Pennsylvania bluestone as the Kubota lifts it 
. . . and Steve fits the cut bluestone treads And there’s pleasure, too, in contemplating from a very safe distance in time and space the brutal history of western expansion so memorably recreated in the new Netflix series American Primeval, which begins with a shocking, appallingly realistic recreation of the 1857 Mountain Meadows Massacre. As Fresh Air critic David Bianculli noted in his review, it’s a sequence as stunning as the opening moments of Spielberg’s 1998 Saving Private Ryan. With a screenplay by Mark L. Smith, who also wrote director Iñárritu’s 2015 epic and similarly graphic western The Revenant, American Primeval has engaged me over the last couple days of streaming its six episodes to an uncanny degree, perhaps in part because of a personal connection to an abhorrent tragedy.

l. to r. : Preston Mota as Devin, Taylor Kitsh as Isaac, and Betty Gilpin as Sara 
Irene Bedard as Winter Bird, chief of the peaceful Shoshone My late husband David was a descendant of Robert Taylor Burton, a principal officer in the Nauvoo Legion, who led Brigham Young’s territorial militia during the Utah wars. Raised as a Latter Day Saint, though from early on in full-fledged apostasy, David was also an Americanist historian, and part of the desert Southwest’s allure he passed along to me was not only his familial connection to Burton and the Latter Day Saints, but also his intellectual interest in what Tolstoy called Mormonism, “the quintessential ‘American religion.’”

Robert Taylor Burton (1821-1907) Early in our regular visits to Utah and the Four Corners, David took me to see the site of the Mountain Meadows Massacre, a monument a half hour’s drive north from St. George. That’s where I first learned of the attack on the Baker-Fancher immigrant wagon train bound for California on the Old Spanish Trail through Utah under the martial law imposed by territorial governor Brigham Young. Enflamed by suspicion that these settlers would abet the LDS persecution that first caused the Mormon migration west after the Illinois murder of their founder Joseph Smith, and amplified by the hysteria that President Buchanan’s military expedition of March 1857 to replace Young as governor brewed, Young sent the Nauvoo Legion, aided by Southern Paiute Native Americans, to attack the wagon train in the guise of hostile natives. But the travelers fought back, and the Legion, fearing identification, approached the immigrants under a white flag, persuaded them to surrender their weapons, escorted them from their defensive position, and then killed all the adults and children over age 7, leaving most of the bodies exposed to wild animals and climate.

Mountain Meadows Massacre Monument I recall very clearly one name inscribed on the monument wall we visited: America Jane Dunlap, age 7.
I’m wondering now if watching that horror re-enacted on my tv screen is resonating so with me for reasons beyond my distant but personal connection to that historical event. In critical theory, insofar as my limited understanding allows, abjection is the state of being cast off and separated from norms and rules; abjection inherently disturbs conventional identity and cultural concepts. Certainly the story of the Mountain Meadows Massacre on ground contested by four groups, Native Americans, Federal troops, Morman militia, and immigrant settlers, each with competing values and allegiances, prompts questions about whose norms and rules apply. And as we approach the inauguration of the Felon-in-Chief, who will swear to preserve, protect, and defend the very Constitution he sought to defy four years ago—on Martin Luther King Jr Day AND what would have been my late sister Jane’s 67th birthday—I’m adrift in a sea of abjection.
Well, this too will pass. And in the meantime, the news of star Philadelphia Eagles wide receiver A. J. Brown reading Jim Murphy’s self-help book Inner Excellence on the sidelines while his team beat the Green Bay Packers 22-10 last Sunday offers hope to this other Murphy author of another self-published self-help book.

A. J. Johnson with Murphy’s book ESPN reports that from 523,497th place on the Amazon sales list, Inner Excellence, with help from a star football player captured reading it on a nationally televised broadcast, shot to Amazon’s number one best seller. In the resulting coverage of his good fortune, Murphy summed up four daily goals that are a key element of the book:
1. “Give the best of what you have that day.”
2. “Be present. Being in the place where there’s no concern for self, no concern for the outcome.”
3. “Be grateful. Look for the smallest moments, three a day, that were gifts for you. The smaller, the better.”
4. “Focus on your routines and only what you can control.”
I plan to take that advice. And to try to find a footballer intrigued by Shakespeare.
Onward!

-
Tenth Day of Christmas
4 January 2025

Two more nights for this little tree to shine Perhaps I am not alone, Dear Reader, slouching my way into the new year: this holiday season has been a curious mixture of alternating cheer (largely solitary) and anxiety. Leading up to Christmas there were promising developments (the arrival of the Rye Beach Landscaping crew and their marvelous French excavating machine, appearing like an early gift from Santa at my front door the week before Christmas to prepare the way for better daffodil access come spring), some auspicious signs (my tutelary barred owl George made a welcome appearance), and some semi-successful attempts at celebration (a couple hours spent at Strawberry Banke’s Candlelight Stroll in Portsmouth on the night of the winter solstice (crowded, and BLOODY cold!), as well as preparation of a pork-and-apple stew for Christmas dinner (tasty, but consumed alone). Christmas Day itself was bright, and a walk at Wallis Sands helpful: dogs cavorted and taciturn Yankees for once exchanged greetings.

Early Christmas present 
The Sherburne House (1695), the oldest in Puddle Dock 
Trying to stay warm during the Candlelight Stroll 
Puddle Dock skaters brave a chill howling gale 
Christmas dinner prep 
Bright Christmas day at Wallis Sands But I was having to work at staying on top of bad news, personal and general. This first Christmas without my sister in the world was never far from my thoughts, and as all those who grieve know, the latest loss recalls all the others. Public radio, my constant companion when I am not reading or writing, kept dropping distressing reports. Barred Owls, considered “invasive” in the Pacific Northwest, are being shot to save the Northern Spotted Owl from extinction, and NPR offered that particular sound byte (Oh, no! George!).

Who could want to shoot George? Then NHPR replayed a most annoying interview with novelist Jodi Picault flogging her latest book, By Any Other Name, by trotting out her “research” provocatively suggesting for the ill-informed and gullible that Shakespeare’s plays were all written by Emilia Bassano. Gawd. That tired old canard, bolstered by one stupid assertion after another (e.g., Shakespeare was a litigious businessman who didn’t have the education to write those plays, and could not have written any plays published in 1623 because by then he was dead! And! There is a character in Othello who speaks a speech no man could have written, and that character’s name is Emilia! Oh, Pah-LEEZE! Let your fiction stay fiction.
And then Jimmy Carter died. President Carter gave the commencement address at Centre College in Kentucky in 1987 when I was on the faculty and, like all my other colleagues, eager to shake hands with the Great Man. Now, it’s true that Centre is a small college with an appropriately small faculty. But imagine my surprise when as I extended my hand to tell the President what an honor it was to meet him, he said, “Why, Georgeann, the pleasure is all mine!” HOW on EARTH did he know my name? Well, as it turns out, the explanation is that someone had shown President Carter a faculty facebook—well before Facebook, simply a page in the annual with all our photos and names—and with his eidetic memory plus a genuine interest in his fellow citizens, he had learned all our names.
How proud I am I got to tell that dear man how much I admired him. And how it rankles that his departure from this dimension so closely precedes the inauguration of the anti-Carter, our soon to be Felon-in-Chief. That January 20 would have been the 67th birthday of my late sister, who heartily detested “the Orange Man,” only adds insult to injury.
I awoke with a scratchy throat on New Year’s Day, and the first thing I heard was that some maniac had plowed through the revelers on Bourbon Street, killing 14 and injuring dozens. OMG. 2025 not off to a great start. In the summer of 1977, my first in New Orleans when I was a graduate student at Tulane, I worked on Bourbon Street, waiting tables at Potpourri, the restaurant in D. H. Holmes, then still a thriving department store as well as one of the country’s first, having opened in 1849. I mostly served dinner to the elderly ladies who lived out their solo lives in the French Quarter; didn’t make much money, but ate like a king (oh, that bread pudding!). I spent plenty of time standing on line to get into Galatoire’s just up Bourbon Street, and even took acerbic critic John Simon to dinner there on behalf of EGO, the English Graduate Organization. Not to mention the Carnival hijinks I enjoyed in the Quarter before I left NOLA in 1984, including the 1979 Mardi Gras police strike, when the National Guard were deployed to keep order—and partied right along with the rest of us. Now those streets always sniffy with discarded Hurricanes (and worse) had to have the blood washed away. And for what?

Mardi Gras 1979, happy grad student and her protector Trying to put that behind me, I took up my annual Posting of the Calendars, four upstairs and one down. But where was the 2025 Canyonlands Natural History Association Calendar to replace the 2024 one? There was the cardboard mailer, right where it should be. But it was empty? Could I possibly have forgotten to order it, my most-often-consulted resource hanging just to the left of my computer screen? I logged on to the CNHA site: sure enough, no order posted for the 2025 calendar. Which was now sold out. Oy. Such forgetfulness. Not a good sign at my advanced age.

Capitol Reef, spring break 2017: the canyonlands the CNHA calendars recall Okay, okay. Ordered another calendar version of Utah’s parks and monuments and tried to cook my way out of my funk while listening once again to the New Year’s concert broadcast from Vienna. But then I had to hunt for the latest Christmas card I’d written and carried downstairs to post the next day, finding it only when I realized I had dropped it in the recycle bin along with yesterday’s New York Times. The mushroom bourguignon I made for dinner was very tasty, but my throat was even more sore. Three episodes of Ted Lasso (second time through this anti-depressant series) finally put me to bed.

Mushroom Bourguignon over polenta for New Year’s (thanks, Melissa Clark) I woke on January 2 with no voice, and had to croak my way through my cardiologist’s appointment, moved up from the one scheduled for month’s end because of the increasingly frequent—and scary—episodes of a-fib I’ve been experiencing. The news: not good. The Flecainide I’d been taking since 2013 to address arrhythmia was now causing it, and another ablation, one that could only be done at Mass General in Boston, was the answer. I had to bail on my weekly and now much-needed conversation with my Greensboro friend Cameron: no voice to speak my distress. And it was January 2, the seventeenth anniversary of the day my mother died in Florida without my being able to get to her because my husband David had been suddenly so stricken with inexplicable anxiety that he could neither speak nor eat. And it was semester’s end: I had his papers as well as my own to grade. And there was a blizzard; no one could get in or out of our driveway. A Christmas best forgotten, but impossible not to recall.
The laryngitis persisted through the next day when I had to sort some TD Bank business, finally removing David, an absent presence now going on six years, as signatory on my accounts and figuring out what to do with our safe deposit box contents if I were out of the picture—which my erratically pounding heart suggested was not an entirely theoretical scenario. The good news: a call from Mass General offered me an ablation appointment only a little more than two weeks away. The bad news: I’ll need someone to drive me down to Boston and back; I’d had David the last time someone was going to work on my heart. Now that heart was broken again, in more ways than one. And I’d already streamed through the entire final season of Ted Lasso.
Friends to the rescue! My emailed SOS quest for a driver received a prompt and unanimously generous response from all I contacted. Spirits greatly improved. A simple dinner of vegetable broth with Dumpling DaughterTM dumplings (heard about on Boston Public Radio, and now available at Market Basket) worked wonders on my throat, and watching Cillian Murphy (no relation, but proud to share the name) and Emily Watson absolutely nail their performances in Small Things Like These, a disturbing but ultimately redemptive film, put me to bed in much better shape.

Emily Watson and Cillian Murphy devastate in Small Things Like These So, I’m starting the new year over today and counting my many blessings, including anyone interested enough to have read through all my whinging this far.
Wishing you all a healthy, happy, hopeful new year, with thanks for your much appreciated support. Coraggio!










